Qui est étranger pour un Byzantin du XIe siècle? Pour répondre à cette question, Jacek BONAREK (B.) a analysé la chronique de Jean Skylitzes dans le désir de définir ceux qui sont pour le chroniqueur Romaioi, c'est-à-dire «les nôtres» et ceux qu'il considère comme les étrangers, bien que la notion xenos n'apparaisse pas dans le texte. B. fait souvent référence aux divergences sémantiques des mots. Xenos en est l'un des exemples. Ce mot signifie un visiteur, voire un allié, mais (...) aussi un nouveau venu, un mercenaire. Cette différence se réflète dans la typologie de B. qui distingue les étrangers dans les limites de l'Empire et en dehors de celui-ci. Cette problématique est traîtée dans le dernier chapître de l'ouvrage, le plus intéressant, paraît-il (111–171). Avant d'expliquer qui est étranger pour Skylitzes, ce qui est une tâche difficile, il essaie de définir à qui pense le chroniqueur en utilisant le mot «Romaioi» et il le fait dans le troisième chapître de son livre (50–110). (shrink)

We assess Cartwright's models for probabilistic causality, and in particular, her models for EPR-like experiments of quantum mechanics. We show that her models for the EPR are mathematically incorrect and physically implausible. Finally, we argue that her models are not adequate for EPR-phenomena, since they ignore modal and spatiotemporal aspects inherent in their setup.

Let J be any proper ideal of subsets of the real line R which contains all finite subsets of R. We define an ideal J * ∣B as follows: X ∈ J * ∣B if there exists a Borel set $B \subset R \times R$ such that $X \subset B$ and for any x ∈ R we have $\{y \in R: \langle x,y\rangle \in B\} \in \mathscr{J}$ . We show that there exists a family $\mathscr{A} \subset \mathscr{J}^\ast\mid\mathscr{B}$ of power ω (...) 1 such that $\bigcup\mathscr{A} \not\in \mathscr{J}^\ast\mid\mathscr{B}$ . In the last section we investigate properties of ideals of Lebesgue measure zero sets and meager sets in Cohen extensions of models of set theory. (shrink)

In this article we consider linear isomorphisms over the field of rational numbers between the linear spaces ℝ2 and ℝ. We prove that if f is such an isomorphism, then the image by f of the unit disk is a strictly nonmeasurable subset of the real line, which has different properties than classical non-measurable subsets of reals. We shall also consider the question whether all images of bounded measurable subsets of the plane via a such mapping are non-measurable.

This paper discusses the problem of inconsistencies in the metaphorical conceptualizations of time that involve motion within the framework of conceptual metaphor theory (CMT). It demonstrates that the TIME AS A PURSUER metaphor contrasts with the reverse variant TIME AS AN OBJECT OF PURSUIT, just as the MOVING TIME metaphor contrasts with the MOVING OBSERVER variant. Such metaphorical conceptualizations of time functioning as pairs of minimally differing variants based on Figure-Ground reversal are, strictly speaking, inconsistent with one another. Looking at (...) these inconsistencies from a wider perspective suggests that time may belong to a separate category of conceptual phenomena. This paper puts forward a proposal to approach time from the perspective of “phenomena of the third kind”, which according to Keller’s thesis include conceptual establishments resulting from human cognition, but not of human design. (shrink)

Obcy Inny. Analiza przypadków. 2017, ed. Małgorzata Karwatowska, Robert Litwiński, AdamSiwiec. Wydawnictwo UMCS, Lublin.Obcy/Inny, Propozycje aplikacji pojęciowych. 2018, ed. M. Karwatowska, R. Litwiński, A. Siwiec,Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej, Lublin.

In 1968 the authors of the so-called Harvard Report, proposed the recognition of an irreversible coma as a new criterion for death. The proposal was accepted by the medical, legal, religious and political circles in spite of the lack of any explanation why the irreversible coma combined with the absence of brainstem reflexes, including the respiratory reflex might be equated to death. Such an explanation was formulated in the President’s Commission Report published in 1981. This document stated, that the brain (...) is the central integrator of the body, therefore the destruction of the brain results in the lack of that integration and the death of the organism. Therefore, according to that document, the so-called “brain dead” patients are really, biologically dead; strictly speaking they are not any more biological organisms but collections of organs and tissues. Their death was masked by the use of the medical equipment, but it was a real, biological death. Thus, the explanation given by the President’s Commission Report constituted a biological rationale for the new concept of death, known as “brain death.” However, after the long discussion, this rationale was refuted because of the evidence given by many medical authorities, that the bodies of the “brain dead” and “brainstem dead” patients are alive. In the context of the discussion about the neurological criteria for death, some authors follow the idea of Plato, that human being is the soul or mind, and the body does not belong to the human essence. Therefore, the loss of consciousness, which may be identified with the mind, constitutes the loss of personhood and may be interpreted as human death. The other group stresses the Aristotelian and Thomistic concept that the body belongs to the essence of every living creature, including human. Therefore, as long as the body is alive, the human being is alive and we cannot call the given patient dead even if he is deeply comatose. Moreover, in spite of the opinions dominating in the mass-media, these patients should be considered not only alive but also may be conscious to some degree and their state can be reversible. Their brains are lacking the electrical functions, but the neuronal tissue is alive and that state is reversible for at least first 48 hours since the onset of coma; this phenomenon is called “global ischemic penumbra” and is responsible for the regularly happening events interpreted as miracles, when some of the “brain dead” or “brainstem dead” patients turn to be alive and come back to normal life. Therefore, the neurological criteria of death are still lacking generally accepted scientific basis and should not be used in medicine and in the legal systems as a basis for diagnosing comatose/having no brainstem reflexes/apneic patients dead. (shrink)

Der vorliegende Aufsatz berührt zwei bis heute nur im geringen Maße erforschte und thematisierte Probleme der Übersetzungstheorie. Es geht hier vor allem um eine möglichst kompakte Darstellung einer Diskussion über solche Begriffe wie Kultur, Fremderfahrung, Fremdverstehen, oder Alienation und Alterität. Der wissenschaft1iche Diskurs, in welchem beide der erwähnten Themen immer wieder zur Sprache kommen, gewinnt heutzutage für eine einheitliche Beschreibung der literarischen Übersetzung einen interessanten, obwohl methodologisch noch nicht ganz sicheren Boden. In erster Linie liegt das Problem des Kulturphänomens auf (...) dem Gebiet der Übersetzung in der Art und Weise seiner Analyse. Wie funktioniert der fremde und fremdsprachige Kontext in der kommunikativen Situation der Übersetzung, was doch eine Begegnung der Kulturen bedeutet? Wie ist es mit den Artefakten der fremden Kultur, Kunst und Literatur umzugehen? Welche Sprache soll die Aufgabe der Beschreibung leisten? Es werden hier nur die wichtigsten Fragen einer kulturspezifisch orientierten Übersetzungswissenchaft aufgezahlt. Ein Versuch, nur auf diese Fragen eine allgemeine Antwort zu erteilen, würde den Rahmen jenes kurzen Aufsatzes mit großter Sicherheit sprengen. Nichtsdestotrotz lohnt es sich über die immer aktuellen Quästionen der literarischen Übersetzung ein paar Worte zu sagen. Ich heiter, meine kurze und notwendigerweise oberflächliche Arbeit möge doch als ein guter Ansatz zum Thema: Kultur in der literarischen Übersetzung dienen. (shrink)

One of the most vigorously debated issues in attention labs concerns the nature of the coupling between the sensory-motor system and covert spatial attention. Proponents of the Premotor Theory of Attention (PToA) claim that attention should be accounted for in terms of motor preparation for goal-directed actions such as eye or hand movements. For others, it is a supramodal psychological entity that is independent of our sensorimotor machinery. Both parties also seek to articulate this controversy in terms of cognitive science (...) as a question of whether attention is embodied or disembodied cognition. The PToA is thought to advocate the embodiment of attention. We, however, are inclined to think that a more nuanced view of this conceptual framework is needed to yield some insights into how radical it actually is in terms of embodied cognition (EC). We argue that PToA still seems to bear some features of weak embodiment. Yet we suggest that it has the potential to build a stronger concept of attention as EC, but somewhat paradoxically this would require giving attention deflationary treatment and reconstructing it in other terms. We propose that the notion of pre-reflective intentionality might serve as an inspiration to this end. (shrink)

In this paper we present a characterization of hyper-connexivity by means of a relating semantics for Boolean connexive logics. We also show that the minimal Boolean connexive logic is Abelardian, strongly consistent, Kapsner strong and antiparadox. We give an example showing that the minimal Boolean connexive logic is not simplificative. This shows that the minimal Boolean connexive logic is not totally connexive.

Since the very dawn of its history, modern philosophical anthropology has been addressing the issue of the human body. As a result of those efforts, Descartes, de Biran, Husserl, Sartre, Marcel, Merleau-Ponty and others have brought forward a variety of conceptions concerning various aspects of human corporeality. Anthropological explorations concerning the question of the human body, appear in a particularly interesting way, when they are considered in the context of those points of view which, in an essential way, refer to (...) the subjective character of the human being. It is a matter of reconstructing and analyzing how the subject's corporeality is given to the subject, originarily, according to the phenomenological rule zu den Sachen selbst. The aim of this paper is thus to put into some order the concerns of a variety of anthropologists with regard to the question of the human body, as it is given to, or experienced by, the subject. A metatheoretical analysis of this field proves it is possible to do so with the use of a tool, which is called here, a dimension of corporeality. (shrink)

Since the very dawn of its history, modern philosophical anthropology has been addressing the issue of the human body. As a result of those efforts, Descartes, de Biran, Husserl, Sartre, Marcel, Merleau-Ponty and others have brought forward a variety of conceptions concerning various aspects of human corporeality. Anthropological explorations concerning the question of the human body, appear in a particularly interesting way, when they are considered in the context of those points of view which, in an essential way, refer to (...) the subjective character of the human being. It is a matter of reconstructing and analyzing how the subject's corporeality is given to the subject, originarily, according to the phenomenological rule zu den Sachen selbst. The aim of this paper is thus to put into some order the concerns of a variety of anthropologists with regard to the question of the human body, as it is given to, or experienced by, the subject. A metatheoretical analysis of this field proves it is possible to do so with the use of a tool, which is called here, a dimension of corporeality. (shrink)

The crux of the dispute on the mutual relations between attention and consciousness, and to which I have referred in this paper, lies in the question of what can be attended in spatial attention that obviously resonates with the phenomenological issue of intentionality. The discussion has been initiated by Christopher Mole. He began by calling for a commonsense psychology, according to which one is conscious of everything that one pays attention to, but one does not pay attention to all the (...) things that one is conscious of. In other words, attention is supposed to be a condition which is sufficient but not necessary for consciousness, i.e., consciousness is a necessary concomitant of attention, but attention is not a necessary concomitant of consciousness. Mole seeks to validate his stance with data from psychology labs. His view is, however, partly confronted, for instance, by Robert Kentridge, Lee de-Wit and Charles Heywood, who used their experimental research on a neurological condition called blindsight as evidence of a dissociation between attention and consciousness, i.e., that visual attention is not a sufficient precondition for visual awareness. In this meta-theoretical state of affairs, I would like to focus on the cognitive phenomenon most often referred to as Inhibition of Return and suggest that, following its micro dynamics from the perspective of micro-phenomenology, it can be used to actually showcase all of the options on both sides of the argument. One of my leading goals would be also to follow Mole’s attempt to link attention with agency but where we differ is that I wish to heuristically articulate the matter in terms of Merleau-Ponty’s phenomenological notion of embodied pre-reflective intentionality. (shrink)

In contemporary literary Hindi there is an abundance of Perso-Arabic loanwords which often function similarly to words of Sanskrit origin. Despite their semantic proximity, each of them can have different connotational meanings and cultural associations. Furthermore, depending on the context, one of them will be preferred to the other. This situation can become an issue when translating from Hindi into Polish. In this paper, I will investigate whether these loanwords should be considered as a third language in translation. If this (...) is the case, they make the text a multicultural one, and, thus, raise the question of how to translate them into Polish, being at the same time focused on a monolingual recipient and their cognitive comfort while not impoverishing and distorting the process of translation. Moreover, I will propose an approach which can be of assistance in achieving this goal, relying on French and Latin loanwords used in the Polish language. (shrink)

The author presents Leszek Kołakowski from the perspective of his private acquaintanceship, lasting for about 47 years, as a witty man and a workaholic. L. Kołakowski never formed a classic “school”, but there is something all his disciples share: a thesis, key to understanding his ideas, which holds that “THERE IS MORE THAN ONE CORRECT OPINION IN THE HUMANITIES”, i.e. we will ALWAYS have opinions for and against, which goes against any dogmatism, wherever it may appear; this also bears consequences (...) in diagnosing the socio-political reality past and present. (shrink)

In her books Szymborska touches many diverte subjects but it is easy to notice her predilection for some topics with which she deals in her successive books of poems. Unplanned haphazard happenings, their category and their role in the life of the man, in reality and in the world, are her main preocupations. As our century has witnessed a breakthrough in indeterminacy due to surprising discoveries in natural sciences the question of haphazard happenings has become more important and intriguing. It (...) has a great fascination for artistics. W. Szymborska giving so much attention to the category of haphazards familiorizes the man with the reality in dissaway that can result in a chaos. In her poems influenced by natural sciences the category of haphazards is not only a leitmotif but also a fascinating enigma. For her casualness and situations resulting from chance are the main mechanism that controls the course of events. In her many poems she focuses on the mystery of haphazards and their inevitability. Her poem Wszelki wypadek (It Might Have Happened) is, perhaps, her first work where she doesn’t deal but with the role of haphazards played in the life of the man. She directs her attention to situations happening in unplanned or disorderly manner thus making possible to save one’s life. Haphazards not only can save the man’s life but they also determine the angle from which he sees the world where the haphazard is ruling. Haphazards can influence all the spheres that are important for the man. The world full of haphazards pictured in the poem is mosaic-like – a number of happenings, various possibilities for the course of particular events. The language describing those events matches the structure of composition. What is happening in the sphere of the language it is precisely reflected in the meaning. Her symmetric and precise structure of the poem results in a scheme called “the tree of decision” transformed by Szymborska in a “tree of possibilities”. In the poem Terrorysta, on patrzy (He is Watching, the Terrorist) the poetess tries to paint the ruthless mechanism of a haphazard meaning the life of people. A terrorist, after having planted a bomb in a bar, is watching people coming in and out of the bar. The whole poem is a silent question about the aim and the sense of the events impossible to understand for people who are involved in them. Szymborska’s latest book of poems (Koniec i początek, The End And The Beginning) confirms her strong interest in haphazards (especially in the poem Seans). The title of the poem is a metaphor between the casualness and the man. Again one focuses on the surprised man who cannot understand the sense of the events happening with his participation. The spectators are surprised because they don’t know the way the illusionist plays his tricks. Szymborska’s man is dependent on something over which he has no influence. He is the passive protagonist of events he takes part in. At the same time the category of haphazard stresses the joyful aspect of human existence. For Szymborska both haphazards are important: the one that threatens the man’s life and the other that makes possible to save his life. So the pessimism in the poem It Might Have Happened is balanced by optimism. The poetess, inspired by everyday world and new achievements in sciences, pictures a world where the haphazard and invitability coexist and integrate and interrelate. Szymborska, in her poetry, surmounts the contradiction between those categories. (shrink)

The following is an attempt to grasp synthetically the strategy and development of Jean Baudrillard’s intellectual standpoint. My view emphasizes late ideas by French Philosopher, while the earlier ones are treated from this perspective as preliminary. After having left Marxist and post-Marxist positions, Baudrillard developed an original and idiosyncratic way of thinking about contemporary world that—inspired by Nietzschean idea that the power of interpretation prevails over representation of truth—evolves around rejection of the traditional ideas of the social, reality and revolt, (...) while employing categories of mass, simulation or catastrophe. This attitude took him not only beyond good and evil, but also to affirmation of death and terror, conducting to an extreme standpoint of “intellectual terrorism”. (shrink)

Who, whom, why and how? -- The subject between extremes -- Genesis: the Socratic-Platonic deception or the irrepressible need for immortality -- Modern man: the adventures of Robinson Crusoe -- The scientific foundations of modern man -- The evolution of modern man, Nietzsche's moustache, the fittest man and the man without qualities: the four pillars of modern man -- Evolution and zoodicy: the animality of modern man -- Modernity as false consciousness -- Technology and the mind, God-machine, the individual vs. (...) Facebook -- That which returns -- The death of death and late-modern man. (shrink)

Niniejszy artykuł dotyczy problemu egzystencjalnej komunikacji w sztuce i literaturze. Problemu, który został przedstawiony i zanalizowany w oparciu o klasyczne teksty S. Kierkegaarda, G.W.F. Hegla, F.W.J. Schellinga, z odniesieniem do polskich klasyków estetyki, choćby R. Ingardena, W. Tatarkiewicza czy St. Ossowskiego. W artykule nie zabrakło także stałych odniesień do takich postaci, jak Don Juan Mozarta, Faust Goethego oraz sędzia Wilhelm Kierkegaarda. Taki dobór autorów, jak i literackich postaci, pozwolił na zderzenie dwóch punktów widzenia na kwestię komunikacji – subiektywnej i obiektywnej. (...) Dzięki temu stało się możliwe udzielenie odpowiedzi na pytanie o możliwość komunikacji w chwili, gdy przedmiot komunikacji nie jest w pełni osiągalny. Odpowiedzi, którą było zrozumienie natury i funkcji, jaką ma do spełnienia sztuka i literatura. A co dało się ostatecznie streścić w formułach, iż sztuka naśladuje życie, lecz nim nie jest, a także, że przeżycie estetyczne, podobnie jak każde inne egzystencjalne przeżycie, da się jedynie w niewielkiej mierze wyrazić słowami. Prawda artysty wymyka się bowiem konceptualizmowi filozoficznemu, a możliwość egzystencjalnej komunikacji skłania go, by wyrażał siebie w obliczu najtrudniejszych pytań, jakie stawia mu los. Pytań o jego własne przeznaczenie i sens twórczości. Tak oto twórca, dla którego jego własne życie jest dziełem sztuki bądź artysta dokonujący wyboru języka znaków, zawsze wyrażają jakieś przesłanie. Zarówno to wzniosłe, jak i najbardziej prozaiczne, które karmi się zafascynowaniem powszednią egzystencją. Biorąc pod uwagę powyższy kontekst, treść artykułu sugeruje, że egzystencjalizacja poznania, która skupia uwagę na subiektywnej, podmiotowej percepcji świata, jest najwłaściwszym sposobem zbliżenia się do samego twórcy, jak i jego artystycznej aktywności. Rzecz jasna, odpowiada to długiej tradycji myślenia egzystencjalnego i możliwości wykorzystania metody egzystencjalnej komunikacji. (shrink)

Ukrainian lands in the twentieth and twenty-first centuries have been in proximity of great geopolitical changes several times. During that time the Ukrainian nation – due to various factors – encountered a number of “windows of opportunity” for achieving the realization of dreams about independence and national sovereignty. The author identified in the period considered four “general moments,” of which two have been completed successfully. The first of these occurred in 1990–1991, when for the first time in modern history, Ukrainians (...) managed to achieve a lasting and relatively stable independence. The second of the “moments” – still unresolved – are events that began in the late autumn of 2013. The process, called “Revolution of Dignity”, represents a new quality in the history of the Ukrainian nation, therefore, that the Ukrainians have to defend the status quo but not to seek to achieve an independent being. The analysis leads to the conclusion that the ability of Ukrainians to achieve and maintain independence is largely a function of the relative power of the Russian state as measured with respect to the shape and quality of international relations. (shrink)